Science and Society

The Project for Non-Academic Science

Not all scientists work at universities. (Maybe not even most? I honestly don’t know the breakdown.) But people who do work at colleges and universities sometimes talk as if that’s all there is, or that becoming a professor is the only logical goal for those pursuing a scientific degree — not necessarily from snootiness or elitism, but just because that’s what they know.

So it’s great that Chad Orzel has done a series of short interviews with scientists outside academia, and is gradually blogging the results. It’s a nice little bit of informal sociology of the field, and a useful resource for anyone who might be contemplating such a career path themselves.

Chad, as you probably know, has also written a book that will be coming out later this year. And he’s supposed to be doing scientific research, and keeps up an active blog! How is that possible?

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LOST University

Here at Cosmic Variance we love our teaching moments. Science is everywhere, and there’s no need to be stuffy about it. One of the best ways to communicate the excitement that we feel about science to a much wider audience is to connect it to popular culture in all sorts of ways — whether it’s Buffy the Vampire Slayer, NUMB3RS, or Angels & Demons.

LOST University So it’s great to see the producers of ABC’s hit TV show LOST jump on the bandwagon. This fall they will be releasing the DVD collection of the fifth season, and the Blu-ray edition is going to feature a special treat: mini-“lessons” on various academic subjects related to the show. (The final season of the show begins early in 2010.) One of those subjects is time travel, and you have a pretty esteemed group of professors guiding you through this fascinating subject: Nick Warner of USC (who taught me general relativity back in the day), our old friend Clifford Johnson, and myself. Suffice it to say, I’ve seen the rough cut, and they did a good job — and we had quite a bit of fun. I was only included because having all the professors speak with British accents would have seemed a bit posh.

And along with that, they’ve just launched an associated website: LOST University. You can see what the other courses in the curriculum are going to be, including Philosophy and Foreign Languages. At the moment the website is essentially promotion for the DVD’s themselves, but I’m hoping more content will appear over time. LOST has a tradition of enhancing the show with quite elaborate online activities, in the form of alternate reality games. So hopefully this new site won’t simply be an advertisement — one of the lessons of new media is that giving away cool stuff for free makes it more likely that people will pay money for the even cooler stuff.

To be clear: the science of time travel on LOST does not necessarily obey all the rules. None of us had anything to do with the show itself, and I have no idea what the writers did in terms of seeking science advice. But understanding how the rules are broken can serve as fodder for teaching moments just as easily as seeing them obeyed. That’s life here “on the cutting edge of tomorrow.”

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Newton, P.I.

When I was studying for my Ph.D., a fellow grad student and I asked our advisor if he could think of one single characteristic that was common to all of the best scientists he knew. Without too much hesitation, he answered: “Hard work.” That certainly wasn’t the answer we wanted to hear — you mean there isn’t some secret recipe to being brilliant? And of course hard work is not nearly enough to elevate you to the ranks of the world’s great scientists. But now that I have marinated for some time in the juices of experience myself, I see the truth of what he was getting at; there are a lot of smart people out there, so it makes sense that what elevates a few of them above their peers is an extraordinary focus on their work and a great amount of simple effort.

So it should come as no surprise that Isaac Newton, the greatest physicist of all time, was a relentless worker. In his days at Cambridge, when he focused on the workings of the natural world, he would spend as little time as possible on anything that drew him away from the researches in his rooms. Over the couple of years he was writing the Principia Mathematica, he took things to extremes, going for extended periods without food or sleep. (He also, apparently, died a virgin. Extremes come in many guises.)

Most contemporary physicists have heard that Newton eventually left Cambridge and more or less turned his back on scientific research, to take up activities in later life that we associate with varying degrees of disreputability: alchemy, religious studies, taking a bureaucratic position at the Royal Mint, using the Royal Society to attack his scientific rivals. Lots of us shrug and agree that many older scientists do all sorts of crazy things, and don’t wonder too much about the details.

levenson-newtoncounter-us-cover1.jpgHappily, Tom Levenson (of The Inverse Square, and one of our honored guest bloggers) has provided us with a fascinating peek into a telling episode in Newton’s later life — his career as a criminal investigator. Not really “P.I.”, as Newton was acting in his capacity as a government official, the Warden of the Mint. The story is closer to something from Law and Order or CSI — remarkably close, in fact. In Newton and the Counterfeiter, Levenson tells the tale of how Newton took up what should have been a cushy sinecure, and ended up devoting his extraordinary Newtonian powers to the pursuit and prosecution of one William Chaloner, the counterfeiter of the title. Poor Chaloner, suffice it to say, never knew what hit him.

I should say right up front that this is not a book about physics. Some time back Tom asked me to read some pages from his draft, to make sure the physics was coming out right, but he assured me that physics played a very minor role in the book. That baffled me a bit, because — well, it is Isaac Newton, right? But this is a work of biography and intellectual history, and offers a fascinating “street-level view” of the dawn of the Age of Reason. I can recommend it without hesitation to anyone who likes good stories, which I presume is just about anyone.

The book does begin with some stage-setting about Newton’s scientific work in Cambridge — it is Isaac Newton, right? But it picks up when our protagonist finally wrangles a position in London as Warden of the Mint. Not supposed to be a taxing job; one of the attractions for Newton was that he was going to have plenty of time available for his research. Mostly, at that time, on alchemy and religion — one of the enlightening chapters looks at how Newton actually went about his alchemical work, which is both engrossing and baffling to the modern reader.

History did not cooperate. The 1690’s was a transformative time for the English currency system, including the introduction of paper money, trade imbalances with the Continent, massive debts run up by William III’s wars in France, and an epidemic of counterfeiting and “coin-clipping,” by which people would shave off the edges of silver coins and melt them down to make new ones. In response, the Mint eventually gave in and undertook a comprehensive re-coinage — a program that was on track to become a complete fiasco until Newton stepped in. Remember that he was not simply an abstract theorist (although he was that); Newton was an extraordinarily careful experimenter, and he turned his practical side to the problem of re-coinage, with spectacular results.

But the real fun comes in when Newton takes on Chaloner, one of the most notorious counterfeiters of the day. I don’t want to give away too much, because you really should buy the book. Suffice it to say that where Newton was gifted with an extraordinary intellect and a relentless work ethic, Chaloner was gifted with what we would today call “balls.” No scheme was too audacious to be undertaken, no lie was too grandiose to be told, no collection of co-conspirators was too extensive to be betrayed or turned against each other. Chaloner was a colorful character, whose story would have made entertaining reading no matter what era he was born into. But he made one unforgivable mistake: he attracted the particular ire of Isaac Newton, who turned the full force of his powers to tracking this miscreant down and bringing him to justice. Chaloner’s own gifts notwithstanding, it was not a fair fight.

We tend to look at successful people and imagine that they are defined by their sphere of success. It’s hard for us today to think of Isaac Newton as anything other than a scientist. But he was good at what he did, whether it was piecing together the mysteries of classical mechanics or paying informers to spy on suspected criminals. Gil Grissom would approve — maybe not of all his methods, but certainly of his results.

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World Science Festivities

I’m back from the World Science Festival, which was a rousing success, leaving thousands of smiling attendees chattering excitedly about the mysteries of the universe as they dispersed through the streets of Manhattan. So naturally I want to talk about how it could be improved. Writing about one’s travels can be one of the least compelling arrows in the blogger’s quiver, but it would be great if the science-festival idea caught on more widely, so perhaps there is something to be learned from the experience.

A science festival, one presumes, aims to bring science to a wide audience through a series of events concentrated in space and time. But there are a lot of different approaches we could imagine taking to achieve that goal. Kirsten Sanford insightfully compares the WSF to the San Diego Science Festival — two similar-sounding events that end up having a very different look and feel. The WSF appeals to the cultural and cool, while the SDSF aspires to be a noisy bring-the-family affair. Neither is right or wrong, and in these cases each is appropriate to the venue; but the choices of how to proceed should be made consciously.

Public events for science can be placed in a two-dimensional parameter space, where one axis ranges from “observational” to “participatory,” and the other ranges from “inspiring” to “informative.” Again, none of these reflects a normative judgment; inspiring and informing are both laudable goals, and sometimes the best way to achieve those goals is to have the audience observe a performance, while other times it’s better to have them participate more directly. The point is not to say what’s better or worse, it’s to figure out what is appropriate for the circumstances.

The parts of the WSF I experienced directly — the opening gala, the two events in which I participated, and two events where I sat in the audience — were roughly speaking more observational than participatory, and more inspiring than informative. For the three events I watched, I think that was exactly right, but for the two events I participated in, I think they could have been even better had the balance been shifted. (Which obviously raises the possibility of some sort of bias on my part, left for you to decide.) In other words, I think a slightly more diversified portfolio of approaches could be beneficial to future science festivals.

The opening gala, a science-and-art extravaganza that both set the stage for the festival and celebrated E.O. Wilson’s 80th birthday, was a great example of an event for which the inspiring/observational paradigm worked perfectly. It was a big production, at Lincoln Center, with a rapid-fire series of performances bridging the gap between art and science; it would have been crazy to try to invite audience participation. And inspiration is just what you need to kick off a big festival. Brian Greene, who along with Tracy Day (“the first couple of New York science“) founded the WSF, did a tag-team presentation with violinist Joshua Bell. Brian would talk a bit about string theory or various wonders of the cosmos, while videos from The Elegant Universe played in the background, and then Bell would play some music appropriate to the mood. Very little educational was going on — nobody came out of the performance considerably more knowledgeable about the secrets of string theory than they went in. But it was an artistic success, putting people in the frame of mind to excitedly tackle meatier fare over the next few days.

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“I understand nothing”

From The Tao of Physics to What the Bleep Do We Know?, quantum mechanics has been a favorite target for wildly misguided cultural appropriations. That’s hardly surprising; quantum mechanics is hard, and not many physicists understand it at a deep level. The only interesting argument is whether “not many” in that sentence should be replaced by “no.”

Yesterday I stumbled across two invocations of quantum mechanics in very different contexts. First, via 3quarksdaily, historian John Lukacs muses on the centrality of our nature as human beings to our ability to apprehend and understand the world.

All of this happened during and after three-quarters of a century when physicists, inventing and dependent on more and more powerful machines, have found more and more smaller and smaller particles of matter, affixing them with all kinds of names. Until now, well into the 21st century, it is (or should be) more and more likely that not only A Basic Theory of Everything but also the smallest Basic Unit of Matter will and can never be found. Why? Because these particles are produced by scientists, human beings themselves.

Every piece of matter—just as every number—is endlessly, infinitely divisible because of the human mind. Some scientists will admit this. Others won’t.

It goes on like that at great length; it was hard to choose a representative excerpt. Basically, Lukacs is making a mistake resembling that which I accused Paul Davies of some time back — demanding that properties of as-yet-known physical theories conform to some cherished metaphysical presuppositions. In reality, the fact that scientists built the apparatuses that produce elementary particles doesn’t tell us anything at all about whether a Theory of Everything is an attainable goal. It may or may not be, but our status as conscious human beings doesn’t have anything to say about it.

And then, via Cynical-C, we find Roger Ebert reviewing Watchmen:

So let’s ask what we understand about quantum mechanics. We’ll start with me. I understand nothing.

Oh, I’ve read a lot about it. Here is what I think I know: At a basic level, the universe is composed of infinitesimal bits, I think they’re called strings, which seem to transcend our ideas about space and time. One of these bits can be in two places at once, or, if two bits are at a distance, can somehow communicate with one another. Now I have just looked it all up in Wikipedia, and find that not only don’t I understand quantum mechanics, I don’t understand the article either. So never mind. Let’s just say my notions are close to the general popular delusions about the subject, and those are what Dr. Manhattan understands.

Let’s see: despite the name “quantum,” it’s not really right to think of quantum mechanics as based on individual “bits.” But it’s true that fields resolve themselves into particles under careful observation, so that’s an excusable confusion. “Strings” have nothing to do with it, a consequence of mixing up different topics in the pop-science domain. “Somehow communicate with each other” refers to entanglement — widely-separated entangled particles don’t really communicate, but that’s certainly our fault as scientists and communicators, since we keep saying that they do.

There are two major differences between Lukacs’s discourse on quantum mechanics and Ebert’s. First, Lukacs is much more subtle, intricately weaving concepts from modern physics into a thesis concerning the role of history in human affairs. (Still completely wrong, of course.) But second and more importantly, Ebert admits he has no idea what he’s talking about, and goes to look things up on Wikipedia; Lukacs, in contrast, flaunts his misunderstanding, waving it around as proof of his erudition. Score one for the non-academics.

(And there’s no justification for scientists sneering at historians in general on this score; if I had a nickel for every time a physicist flung around concepts like “falsifiability” or “postmodernism” without knowing what was going on, I could rescue the American banking system all by myself.)

What I really found interesting was that Ebert, after giving up on Wikipedia — and rightfully so, their physics articles are uniformly useless for someone approaching the ideas as an outsider — turned next to YouTube for edification! He includes a few clips that try to say something helpful about quantum mechanics. I wonder if that’s the wave of the future. It gave me the idea of making a set of very short videos, each of which would succinctly explain one scientific idea. Making a two-minute video would take less time than writing a decent blog post. (Right?)

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Guest Post — Kip Thorne on Stephen Hawking

Most physics fans out there have probably heard of Kip Thorne, author of Black Holes and Time Warps and some other books. If you polled physicists to find out who they thought had been the most influential American scientist doing research in general relativity over the past several decades, Thorne would win hands-down. (Here’s a recent interview in Discover.)

And if you dropped the delimiter “American” from the question above, the winner would undoubtedly be Stephen Hawking. So we’re very happy to have a guest post from Kip, announcing an upcoming talk by Hawking.

kip_john_stephen.jpg
Left to right: John Preskill, Kip Thorne, and Stephen Hawking.

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Stephen Hawking is coming to town – to Pasadena, that is.

Caltech, in Pasadena, California, is Hawking’s home away from home. Since 1991 he has spent roughly a month a year here as our Sherman Fairchild Distinguished Scholar. This year he flies in from his English home at the end of February, then heads off to Texas in early April.

He arrives with an entourage of five care givers to tend to his physical needs, one or two family members, several graduate students, and a “graduate assistant” who handles logistics and serves as general fixit-person for his computer system and mechanized wheel chair. His current chair is new and sophisticated. At the flick of a switch, its hydraulics can lift him up to a standing person’s eye level or slide him down near ground level for high-speed chases — he has been known to take pleasure from running over the toes of university presidents.

Hawking’s Pasadena sojourns are rather like Einstein’s in the 1930s. Caltech is an intellectual magnet – a crossroad for ideas about the cosmos and the fundamental laws of nature, which are Hawking’s passion. He contributes mightily to the ferment, and partakes. Our California night life (LA, not Caltech!) is also pretty good; and Hawking, like Einstein, is a party animal, only more so. During his annual month here, my own social life intensifies five-fold just from being his closest California friend. He loves opera, theater, jazz clubs, barbecues that he hosts in the patio of his Pasadena home, and dinners with fine wine – especially an Indian Feast prepared for him by Caltech undergraduates. Yes, we geeks can cook up a storm – well, not me, but the younger generation.

Conversation with Stephen is slow, about 3 words a minute, produced by Stephen moving a muscle in his face (imaged by a lens and photodetector) to control a cursor on his computer screen. It’s slow, but rewarding. You never know, until his sentence is complete, whether it will be a pearl of wisdom or an off-the-wall joke. Faster speeds are on the horizon: computer control via brane waves, without drilling a hole in his head (he’s opposed to that). But he resists changing technology, even without drilling, until forced to. “I can’t believe it’s as good as what I have.” (It actually is; my wife has a friend with ALS who proves it so.)

Most of Hawking’s Pasadena time is spent thinking, conversing, and working on projects. Jim Hartle drives down from Santa Barbara to continue their decades-long research collaboration on the birth of the Universe. Leonard Mlodinow, a Pasadena-based free-lance writer, toils with him on a book: in the past, A Briefer History of Time; now, their forthcoming The Grand Design. And there are drives to Hollywood to film for Star Trek or the Simpsons or the forthcoming Stephen Hawking’s Beyond the Horizon.

On each Pasadena visit, Hawking gives a lecture for the general public – always before in Caltech’s limited-seating Beckman Auditorium, but this year in the newly renovated Pasadena Convention Center, at 8PM, Monday March 9. “Why We [the human race] Should Go into Space” is his title. It’s an opportunity to see him in action, be immersed in his mind’s world, and – if last year’s lecture is any indication – participate in a happening. Tickets are available from the Caltech ticket office, (626) 395-4652, at $10 each.

The last time I saw Hawking speak to such a large audience, thousands, was in a converted railway station in Santiago Chile, soon after General Pinochet’s regime gave way to civilian rule. It was quite a show. Hawking made a grand entrance to rock music and charmed the crowd. The President of Chile and other civilian officials sat on one side of the giant stage, the military brass on the other, with enormous tension between them; they were hardly speaking to each other in those days. Only Hawking could bring them into the same room. His aura works magic. The next day the military flew us to Antarctica: a C130 cargo plane filled with TV cameras, journalists and physicists. It was August, the Antarctic winter, the first flight to Antarctica in more than a month due to winter storms. It was a Hawking Adventure, one among many. He lives life to the fullest. He will fly on a rocket into space soon.

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Nietzsche: Long Live Physics!

Henri Poincaré proved his “recurrence theorem” in 1890: in a mechanical system with bound orbits (particles can’t just run off to infinity), any state through which the system passes will be approached (to arbitrary accuracy) an infinite number of times in the future. That was eight years after Friedrich Nietzsche, in The Gay Science, asked us to imagine exactly such a scenario, in his notion of eternal return:

What if, some day or night, a demon were to steal after you in your loneliest loneliness and say to you: “This life as you now live it and have lived it, you will have to live once more and innumerable times more; and there will be nothing new in it, but every pain and every joy and every thought and sigh and everything unutterably small or great in your life will have to return to you, all in the same succession and sequence—even this spider and this moonlight between the trees, and even this moment and I myself. The eternal hourglass of existence is turned upside down again and again—and you with it, speck of dust!”

This is the kind of thing you come across when you’re writing a book about time. Nietzsche wanted to suggest that a well-lived life was one you wouldn’t mind knowing would recur throughout eternity, while the prospect would cause gnashing of teeth for most of us. Poincaré’s concerns were somewhat different.

While looking up this passage, I stumbled across one of my favorite Nietzsche quotes, just a few aphorisms prior:

Yes, my friends, regarding all the moral chatter of some about others it is time to feel nauseous! Sitting in moral judgment should offend our taste! Let us leave such chatter and such bad taste to those who have nothing else to do but drag the past a few steps further through time and who never live in the present,—which is to say the many, the great majority! We, however, want to become who we are,—the new, unique, incomparable ones, who give themselves their own laws, who create themselves! And to that end we must become the best learners and discoverers of everything that is lawful and necessary in the world: we must become physicists in order to be able to be creators in this sense,—while hitherto all valuations and ideals have been based on ignorance of physics or were constructed so as to contradict it. Therefore: long live physics! And even more so that which compels us to turn to physics,—our honesty!

A quote which engenders, as you might imagine, swift elaborations on the part of Nietzsche scholars that he certainly wasn’t talking about what we ordinarily mean by “physics.” But I’m not so sure. The substance of physics (experimental results, theoretical understandings) is of no help whatsoever in leading a moral life. But the method of physics — open-minded hypothesis testing and scrupulous honesty in confronting what Nature has to tell us — is a pretty good model for other aspects of our lives.

Not that physicists are, as a matter of empirical fact, any better at being good human beings on average than anyone else. Even we physicists could learn to be better physicists.

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Venus Hottentot and the Irony of Science

One of the other good choices made by Obama’s inaugural planners was inviting Elizabeth Alexander to compose and deliver a poem. It’s not a well-established tradition. Only two other Presidents have featured poets at their inaugurations: John F. Kennedy and Bill Clinton. And, of course, the mere mention of “poetry” gives folks an opportunity to burnish their anti-intellectual credentials by pulling excerpts out of context and proudly proclaiming that they don’t get it.

Ta-Nehisi Coates reprints Alexander’s best-known poem: The Venus Hottentot (1825). The title refers to Saartjie Baartman, an African woman who was brought to Europe in 1810, where she was exhibited in circuses and at private salons for the wealthy.

Saartjie Baartman

Baartman’s exotic physique and Khoikhoi ethnicity pushed all sorts of buttons in late Georgian England, where social reform movements jostled with the excitement of empire and a fascination with the Dark Continent. She died in Paris in 1815, where she was examined and dissected by naturalist Georges Cuvier, who later wrote articles arguing that the form of her labia was evidence of the primitive sexual appetite of African women. Baartman’s skeleton, brains and genitals were put on display at the Musée de l’Homme in Paris until 1974, when they were removed and put in storage; in 2002 her remains were repatriated to South Africa, where she was buried in the Gamtoos Valley.

Alexander’s poem is extremely moving, a mediation on a meditation on power and hope and rage, building to the devastating final lines:

If he were to let me rise up

from this table, I’d spirit
his knives and cut out his black heart,
seal it with science fluid inside
a bell jar, place it on a low
shelf in a white man’s museum
so the whole world could see
it was shriveled and hard,
geometric, deformed, unnatural.

My first reaction, however, was more exasperation than admiration. The poem opens in the voice of Georges Cuvier:

Science, science, science!
Everything is beautiful

blown up beneath my glass.
Colors dazzle insect wings.

You can guess where that’s going to go. Of all the things the world needs right now, “more mockery of science by humanities-oriented intellectuals” is not one of them. Yes, yes, we know: science is cold, and clinical, and dehumanizing. It also gave us penicillin, not to mention Mentos & Diet Coke, so cut some slack, okay? At the end of the day, anti-intellectualism is still anti-intellectualism.

But upon reflection, I decided that my first reaction was unfair. As Hilzoy very astutely points out, the poem’s opening in Cuvier’s voice is honestly beautiful and affecting, where it could have been nothing more than sarcastic. The beauty of science can coexist with a shriveled heart.

More importantly, as scientists we need to be able to take a little honest critique now and then and learn from it. Although anti-science attitudes within the humanities can often be little more than a cheap pose, that doesn’t mean that science shouldn’t ever be examined critically. Georges Cuvier’s crazy theories (he was also wrong about elephants, evolution, and continental drift, but did have some good ideas about dinosaurs) are just as much a part of the history of science as Newton or Darwin. And the impulses behind them are as real today as they ever were.

It’s a cliche, but science is a human endeavor, and individual scientists are human beings. Scientific theories stand independently from their originators, but the process of science and the motivations of its practitioners are neither more or less lofty, on average, than most other human activities. The great thing about science is that, in the long run, empirical realities always win; if your theories aren’t right, they can’t survive. But the long run can be pretty long, and in the short run there is a temptation to dress up one’s prejudices in the apparent objectivity of scientific practice. In ideal circumstances, the harsh testing ground of experiment should keep us from drawing conclusions that aren’t supported by the data; but that’s a goal to which we aspire, not a virtue we are granted automatically by our lab coats and fancy math.

Using the size of an African woman’s labia to draw conclusions about their primitive sexual appetites is no more sensibly “scientific” than believing that the proportion of women working as professional scientists (at this precise moment in history, in this precise part of the world) is a direct consequence of an underlying distribution of innate talents, unmediated by social factors. But there is no shortage of people who sincerely think that way. And the long run is sometimes longer than it needs to be.

Text of the poem below the fold.

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New Horizons

And the winner of our Elevator Pitch Contest is: Jason Dick, for New Horizons!

Takes place about a century from now. Humanity has discovered planets around other stars harbor life. We send out a generation ship, where multiple generations of intrepid explorers will be born and die before it reaches its destination. This show follows their journey, where they are faced with mechanical failure, collisions with small dust grains that cause lots of damage, and people who crack under the stress of their situation. Mostly it’d be about a human drama of extremely driven people who are in a difficult situation, and whose children are forced to carry the torch of their parents.

A well-deserved victory, as Jason has long been one of our most intelligent and helpful commenters. And it’s a good show idea, certainly comparable with many things actually appearing on TV. Jason, shoot us your address and a T-shirt will be forthcoming — soonish.

Interestingly, concepts that took the framework of a conventional sitcom or drama (Friends/ER) and made the characters scientists didn’t fare as well with our voters. This might be a reflection of our voting pool, or a real difficulty involved in translating the life of a scientist into compelling narrative.

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Elevator Pitches: Time for Focus-Group Input

If you spend a lot of time in the MGM Grand in Vegas (and who doesn’t?), you will have walked by Television City. It’s a fun place to get some free entertainment if the craps tables have been unkind (or if you had a great meal at Joel Robuchon), but it’s serious business for CBS/Viacom: this is where they show clips and pilots of prospective shows to average Americans, to gauge whether they should be picked up for seasons to come. Apparently it’s easier to find average Americans in Vegas than over here in LA.

So here’s your chance to chime in on our contest to choose a science-themed TV show. Recall that the idea behind the elevator pitch contest was that you had bumped into CBS bigwig Les Moonves, and taken the opportunity to quickly pitch a TV idea that made use of science in some way. While you might have thought that Mr. Moonves was just humoring you, in fact he took some of the ideas very seriously, and ultimately picked six of them to make pilots of each. Sadly, we don’t have clips from the actual pilots; something about intellectual property rights. But here are the original descriptions of the six finalists; note that CBS has tentatively assigned names to each show.

Below the fold there is a poll, where you can vote on which show you like the best! Voting will be open for the next week. For the winner, a T-shirt, and who knows? Some people in high places read this blog.

  1. New Horizons (Jason Dick)

    Takes place about a century from now. Humanity has discovered planets around other stars harbor life. We send out a generation ship, where multiple generations of intrepid explorers will be born and die before it reaches its destination. This show follows their journey, where they are faced with mechanical failure, collisions with small dust grains that cause lots of damage, and people who crack under the stress of their situation. Mostly it’d be about a human drama of extremely driven people who are in a difficult situation, and whose children are forced to carry the torch of their parents.

  2. Three Geeks in Boston (Naveen)

    Three guys share an apartment in Boston: a freelance writer training for an ultramarathon, a chemistry student who wants to work in a Michelin star restaurant, and a disillusioned theoretical physicist in grad school. The runner views himself as a lab rat and writes about his experiments with the latest training gadgets and techniques. The chemist hopes that molecular gastronomy will be his path to a dream job with Heston Blumenthal or Grant Achatz. The theoretician realizes how his math can be applied to topics ranging from tracking flu epidemics to studying the sociology of Facebook.

  3. The Parameters (astromcnaught)

    An enormous laser experiment blows a hole in local space-time. Things start to behave strangely, and hilariously, the world over. Young Ruford with the assistance of a mysterious mechanics professor has to adjust the parameters of reality back to normal. Different parameter each week. E.g. speed of sound drops to 1 meter a minute. Something electromagnetical causes clothes to start becoming transparent. Gravity becomes stronger…the world starts spinning faster…the moon draws closer…air becomes thicker…ice sinks. The dog’s called Rhombus.

  4. The Scientific Inquisitor (Matt)

    A lapsed cardinal with a rigorous scientific background is called back into service by the Pope. When the vatican is under pressure to bestow sainthood on a politically inconvenient deceased priest, they dispatch the show’s hero. Our cardinal has secret instructions to debunk the would-be saint’s requisite “miracles”, thereby denying sainthood. He does so with scientific acumen and great aplomb. Each week, he struggles with being used by an organization he doesn’t respect, as well as his own emotional desire to believe in something beyond the cold materialism he practices. Both cynical and hopeful, the show illuminates the boundary between evidence and faith, in a (perhaps Sisyphean) struggle to find a balance between the two.

  5. Friends with Experiments (Peggy)

    Friends in a top university molecular biology lab. Three young men and three young women – a couple of postdocs, grad students, a Sigma sales rep and a departmental administrator – find love and laughs as they run gels, hang out in the departmental lounge, attend conferences, and interact with the other wacky lab denizens. Plenty of opportunity for sight gags, such as an unbalanced ultracentrifuge “walking” through a wall or the noob grad student accidentally setting her bench on fire. And lots of opportunities for romantic situations: all-night sample collecting in the cold room, working closely in the darkroom, or a mixup that puts our male and female postdoc in the same hotel room at the AAAS conference. And what holds them together is their love/hate relationship with their research.

  6. Apocalypse Tomorrow (Dr. Free-Ride)

    The economy has tanked and modern infrastructure (utilities, highways, food supplies, schools) is decaying – “pre-apocalypse”. We focus on a couple who left science a decade ago, moving to a small town for a new start. Their kids keep stumbling into sciencey situations, drawing their parents into them. Their town has a distinct anti-science vibe — science and technology didn’t hold off the decay gripping the community, and (we find out) the town is still scarred by tragic events due to mad scientists. Despite themselves, our family uses scientific reasoning and keen observation to rebuild the community and their own lives.

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